Photography 2: Documentary
NIKI SOUTH'S LEARNING LOG FOR BA PHOTOGRAPHY DEGREE
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COURSEWORK
PART 1: INTRODUCING DOCUMENTARY
DEFINING DOCUMENTARY
What is documentary?
WHAT MAKES A DOCUMENT?
Exercise: Transparent pictures
Exercise : What makes a document?
Exercise: Discontinuities in photographs
A POSTMODERN DOCUMENTARY
Exercise: In and around afterthoughts
Exercise: The myth of objectivity
Exercise: A decisive moment
PART 2: THE B&W DOCUMENT
PROJECT LEGACY FOR SOCIAL CHANGE
Exercise 2.1 McCauseland
Exercise 2.2 Survival programes
Exercise 2.3 Brandt
Exercise 2.4 Discussing Documentary
Exercise 2.5 Marcus Bleasdale
PROJECT NARRATIVE
Exercise 2.6 Martin Shields
Exercise 2.7 Sheilds
Exercise 2.8 The Americans
Exercise 2.9 Mexican photgraphers
Project people surveys
Exercise 2.10 Daniel Meadows
Exercise 2.11 Sanders
Exercise 2.12 In The American East
Exercise 2.13 James Curtis
Project Psychographies
Exercise 2.14 Street photography
Exercise 2.15 Japanese connections
Part 3: A Colour Vision
Project Colour and modernity
Exercise Seeing and Believing
Exercise Surrealist style
Project Journeys
Exercise The Tourist Gaze
Exercise Environment Portraits
Exercise The Roma Journeys
Project Documentary Identity and Place
Exercise We Engish
Project: A British tradition
Exercise documentary Dilemmas
Exercise Martin Parr
Exercise: Peter Dench
Project Documentary, performance and fictions
Exercise Hasan and and Husan Essop
Exercise: Think Global Act Local
Exercise: Jeff Wall
Seeing is believing blog post
Part four: Ethics and looking at the other
Gaze and control
Exercise 4.1 Foucault
Exercise 4.2 Intersection of gazes
PRoject Documents of conflict and suffering
4.3 Don McCullin
4.4 Walk the line
The ethics of aesthetics
Exercise 4.5 Imaging famine
Exercise 4.6 The ethics of aesthetics
Reflecting on the war photograph
Exercise 4.7 Should you print
Exercise 4.8 Press release
Project post-colonial ethnography
Exercise 4.9 Primative typologies
PART FIVE: NEW FORUMS FOR DOCUMENTARY
PROJECT DOCUMENTARY IN THE GALLERY SPACE
Exercise 5.1 Cruel and Tender
Exercise 5.2 The judgement seat of photography
Post Documentary Art
Exercise 5.3 Jim Goldberg
Exercise 5.4
Project the Documentary project
Exercise 5.5 Kingsmead Eyes
LEARNING LOG: ASSIGNMENTS
ASSIGNMENT 1: LOCAL COMMUNITIES
A1 Learning log
1st Draft Pre Covid 19
2nd draft During Covid19
PHOTOGRAPHY ASSIGNMENT 1: REFLECTION AGAINST ASSESSMENT CRITERIA
ASSIGNMENT 2: SINGLE IMAGE NARRATIVES
A2 LEARNING LOG
ASSIGNMENT 2 DRAFT
ASSIGNMENT 2 REFLECTIONS AGAINST ASSESSMENT CRITERIA
Assignment 3: Visual Storytelling
A3 Learning log
Assignment 3 Draft
Assignment 3 Reflection against assessment criteria
ASSIGNMENT 4: CRITICAL REVIEW
ASSIGNMENT 4 DRAFT CRITICAL REVIEW
Reflection against assessment criteria
ASSIGNMENT 5: PERSONAL PROJECT
Personal project draft prosposal
A5 Learning Log
A5 Assignment draft
A5 Reflections against assessment criteria
ASSIGNMENT 6: Pre-ASSESSMENT REVIEW
LEARNING LOG: RESEARCH AND REFLECTION
Documentary Journal
COVID 19 THOUGHTS
REFLECTION
A1 REFLECTION
A1 My learning
A1 REFLECTION AGAINST ASSESSMENT CRITERIA
A1 REFLECTIONS AGAINST FORMATIVE FEEDBACK
A2 REFLECTION
A2 My Learning
ASSIGNMENT 2REFLECTIONS AGAINST ASSESSMENT CRITERIA
A2 Reflection on formative feedback
A3 Reflection
Reflection against assessment criteria
A3 Reflections on formative feedbackubmission
A4 Reflection
My learning Part 4
Reflection against assessment criteria
A4 Reflections on formative feedback
A5 Reflection
A5 Reflections against assessment criteria
A5 Reflections against Formative feedback
RESEARCH
A1 RESEARCH
Historical documentary photographers
Berger: The ambiguity of the photographh
A1 OWN RESEARCH
THE PHOTOGRAPHIC BRIEF: SHORT
A2 RESEARCH
Research point FSA project
Research point semotics: Short
Research point Worktown
Research point Cannon Fodder
Research point Vivian Maier
Research point Street photography
Research point Socially committed photographers
A3 RESEARCH
Research point Surrealism and colour
Research point:Peter Dench
Research point: Murrell & Starkey
Research point Sense of Place
Additional research
David Campbell on narrative
A4 Research
Research point Post-colonial ethnography
Ed Kashi
Danziger Mendel & Bleasdale
A5 RESEARCH
Research point Photovoice
Research point: OCA documentary projects
Research point Crowd funding
Creative Photography: Behind the Image – Research in Photography
Additional research Allan Sekula
Additional research John Tagg
Additional research Borge: Reconsidering Documentary
Additional research Levi Strauss
Additional research: Reflections on readings
RESEARCH ASSIGNMENT FIVE: CONTEXTUAL RESEARCH
PHOTOGRAPHER TALKS
Mark Neville 4.4.20
Laura Pannock 15.4.20
Martin Parr 21.4.20
ANTON KUSTERS 25.4.20
Directors of photography galleries 28.4.20
Anna Fox at the TVG OCA meeting 16.5.20
Mohamed Bourouissa 16.5.20
Susan Bright 2.6.20
AOP Webinar Fine Art Photography 18.6.20
AOP Breakfast club 23.6.20
Knoth and Barnard Photography in a fragmented world 21.6.20
Fred Ritchen 22.6.20
Lumix Misha Vallejo 23.6.20
Documentary reconsidered 30.6.20
Hannah Reyes Morales 24.6.20
Laurel Chor 22.7.20
Ben Moore 8.10.20
Contemporary women photographers 15.10.20
David Levi Strauss 7.12.20
THAMES VALLEY OCA MEETINGS
21.3.20 (Virtual)
18.4.20 (Virtual)
16.5.20 Meeting with Anna Fox
20.6.20 (Virtual)
19.9.20 (Virtual)
ZOOM OCA MEETINGS
OCA STUDENT LED
DOCUMENTARY HANGOUT 9.4.20
Documentary Hangout 7.5.20
General photography hangout 3.5.20
Documentary hangout 4.6.20
Documentary hangout 18.6.20
Documentary hangouts 2.7.20-8.10.20
Documentary hangouts 7.1.21 & 4.2.21
Documentary hangouts 18.2.21- 1.4.21
OCA Tutor led
Andrea Norrington 18.3.20
Andrea Norrington 13.5.20
Andrea Norrington 17.6.20
Andrea Norrington 20.7.20
Andrea Norrington19.8.20
Arpita Shah 11.9.20
Andrea Norrington 16.9.20
Andrea Norrington 28.10.20
Assessment drop in 26.1.21
RESEARCH AND REFLECTION: VISUAL ARTS DATA
21.2.21 Climacteric study event
Andrea Norrington 24.3.21
27.2.21 Keeping up momentum
RESEARCH AND REFLECTION: PHOTOGRAPHY PANEL DISCUSSION
SUBMISSIONS
ASSIGNMENT 1: SUBMISSION
A1 Submission
A! REFLECTION ON FORMATIVE ASSESSMENT
ASSIGNMENT 2 SUBMISSION: SINGLE IMAGE NARRATIVES
A2 Submission
A2 Reflection on formative feedback
Assignment 3 Submission: Visual Storytelling
A3 Submission
A3 Reflections on formative feedback
ASSIGNMENT 4 SUBMISSION: CRITICAL REVIEW
A4 Submission
A4 Reflections on formative feedback
ASSIGNMENT 5 SUBMISSION: PERSONAL PROJECT
A5 Submission
A5 Proposal
A5 Reflections against Formative feedback
Assignment 6: Pre-assessment review
A6 Submission
A6 Reflections against formative feedback
ASSESSMENT
ASSESSMENT: NOTE TO THE ASSESSORS
ASSESSMENT: COURSE REFLECTION AND EVALUATION
ASSESSMENT: LEARNING OUTCOMES
MY OTHER BLOGS
Level 2: Landscape
LEVEL 1: EXPRESSING YOUR VISION
LEVEL 1: CONTEXT AND NARRATIVE
LEVEL 1: IDENTITY AND PLACE
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February 6, 2020
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