Photography 2: Documentary

NIKI SOUTH'S LEARNING LOG FOR BA PHOTOGRAPHY DEGREE

Skip to content

Home
COURSEWORK
LEARNING LOG: ASSIGNMENTS
LEARNING LOG: RESEARCH AND REFLECTION
SUBMISSIONS
ASSESSMENT
MY OTHER BLOGS

Search

Search for:

MY OTHER BLOGS

February 6, 2020 / niki

Share this:

X
Facebook

Like Loading...

Related

Post navigation

← DOCUMENTARY JOURNAL

THAMES VALLEY OCA MEETING →

Leave a comment Cancel reply

Δ

WELCOME TO MY BLOG. ANY IMAGES BY OTHER PHOTOGRAPHERS USED ON THIS SITE ARE ACCREDITED AND ARE BEING USED ONLY FOR PERSONAL RESEARCH AND EDUCATIONAL PURPOSES ONLY

RECENT POSTS

ASSESSMENT: NOTE TO THE ASSESSORS
ASSESSMENT: COURSE REFLECTION AND EVALUATION
ASSESSMENT: LEARNING OUTCOMES
RESEARCH AND REFLECTION: PHOTOGRAPHY PANEL DISCUSSION
ASSIGNMENT 6 SUBMISSION: PRE ASSESSMENT REVIEW FEEDBACK

RECENT COMMENTS

ARCHIVES

August 2021
July 2021
May 2021
April 2021
February 2021
January 2021
December 2020
November 2020
October 2020
July 2020
May 2020
April 2020
March 2020
February 2020

CATEGORIES

1. Exercise The tourist gaze
1. Exercise We English
16.5.20 Meeting with Anna Fox
18.3.20
18.4.20 (Virtual)
19.9.20 (Virtual)
1st Draft Pre Covid 19
20.6.20 (Virtual)
21.2.21 Climacteric study event
21.3.20
27.2.21 Keeping up momentum
2nd draft During Covid19
4.3 Don McCullin
4.4 Walk the line
7.1.21 & 4.2.21
A 1 Learning log
A POSTMODERN DOCUMENTARY
A! REFLECTION ON FORMATIVE ASSESSMENT
A! Reflections against formative feedback
A1 LEARNING LOG
A1 My learning
A1 OWN RESEARCH
A1 REFLECTION
A1 REFLECTION AGAINST ASSESSMENT CRITERIA
A1 RESEARCH
A1 Submission
A2 LEARNING LOG
A2 My Learning
A2 REFLECTION
A2 Reflection on formative feedback
A2 RESEARCH
A2 Submission
A3 Learning log
A3 Reflection
A3 Reflections on formative feedbackubmission
A3 RESEARCH
A3 Submission
A4 Reflection
A4 Reflections on formative feedback
A4 Research
A4 Submission
A5 Additional research
A5 Assignment draft
A5 Learning Log
A5 Proposal
A5 Reflection
A5 Reflections against assessment criteria
A5 Reflections against Formative feedback
A5 RESEARCH
A5 Submission
A6 Reflections against formative feedback
A6 Submission
Additional research
Allan Sekula
Andrea Norrington 13.5.20
Andrea Norrington 16.9.20
Andrea Norrington 17.6.20
Andrea Norrington 18.3.20
Andrea Norrington 20.7.20
Andrea Norrington 24.3.21
Andrea Norrington 28.10.20
Andrea Norrington19.8.20
Anna Fox at the TVG OCA meeting 16.5.20
ANTON KUSTERS 4.3.20
AOP Breakfast club 23.6.20
AOP Weninar Fine Art photography 18.6.20
Arpita Shah 11.9.20
ASSESSMENT
Assessment drop in 26.1.21
ASSIGNMENT 1: LOCAL COMMUNITIES
ASSIGNMENT 1: SUBMISSION
Assignment 2 Submission
ASSIGNMENT 2: SINGLE IMAGE NARRATIVES
ASSIGNMENT 2REFLECTIONS AGAINST ASSESSMENT CRITERIA
Assignment 3 assessment against assessment criteria
Assignment 3 Draft
Assignment 3 reflection against assessment criteria
Assignment 3 submission: Visual Storytelling
Assignment 3: Visual Storytelling
Assignment 3: Visual Storytelling
ASSIGNMENT 4 DRAFT
ASSIGNMENT 4 SUBMISSION: CRITICAL REVIEW
ASSIGNMENT 4: CRITCAL REVIEW
ASSIGNMENT 5 SUBMISSION: PERSONAL PROJECT
ASSIGNMENT 5: PERSONAL PROJECT
Assignment 6 submission: Pre Assessment Review
Ben Moore 8.10.20
Berger: The ambiguity of the photographh
Contemporary women photographers 15.10.20
Course Reflection and Evaluation
COURSEWORK
COVID 19 THOUGHTS
Danziger Mendel & Bleasdale
David Campbell on narrative
David Levi Strauss 7.12.20
DEFINING DOCUMENTARY
Directors of photography galleries 28.4.20
Discontinuities in photographs
Documentary hangout 18.6.20
Documentary hangout 4.6.20
Documentary Hangout 7.5.20
DOCUMENTARY HANGOUT 9.4.20
Documentary hangouts 18.2.21- 1.4.21
Documentary hangouts 2.7.20-8.10.20
Documentary Journal
Documentary reconsidered
DRAFT ASSIGNMENT
Ed Kashi
Exercise 2 Environmental portraits
Exercise 2.1 McCauseland
Exercise 2.10 Daniel Meadows
Exercise 2.11 Sanders
Exercise 2.12 In The American East
Exercise 2.13 James Curtis
Exercise 2.14 Street photography
Exercise 2.15 Japanese connections
Exercise 2.2 Survival programes
Exercise 2.3 Brandt
Exercise 2.4 Discussing Documentary
Exercise 2.5 Marcus Bleasdale
Exercise 2.6 Martin Shields
Exercise 2.7 Sheilds
Exercise 2.8 The Americans
Exercise 2.9 Mexican photgraphers
Exercise 3.1 Seeing and Believing
Exercise 4.1 Foucault
Exercise 4.2 Intersection of gazes
Exercise 4.5 Imaging famine
Exercise 4.6 The ethics of aesthetics
Exercise 4.7 Should you print
Exercise 4.8 Press release
Exercise 4.9 Primative typologies
Exercise 5.1 Cruel and Tender
Exercise 5.2 The judgement seat of photography
Exercise 5.3 Jim Goldberg
Exercise 5.4
Exercise 5.5 Kingsmead Eyes
Exercise : What makes a document?
Exercise documentary Dilemmas
Exercise Hasan and and Husan Essop
Exercise Martin Parr
Exercise Surrealist style
Exercise The Roma Journeys
Exercise: A decisive moment
Exercise: In and around afterthoughts
Exercise: Jeff Wall
Exercise: Peter Dench
Exercise: The myth of objectivity
Exercise: Think Global Act Local
Exercise: Transparent pictures
Fred Ritchen 22.6.20
Gaze and control
General photography hangout 3.5.20
Hannah Reyes Morales 24.6.20
Historical documentary photographers
John Tagg
Knoth and Barnard Photography in a fragmented world 21.6.20
LANDSCAPE JOURNAL
Laura Pannock 15.4.20
Laurel Chor 22.7.20
LEARNING LOG: ASSIGNMENTS
LEARNING LOG: RESEARCH AND REFLECTION
LEARNING LOG; ASSIGNMENTS
Learning outcomes
Levi Strauss
Lumix Misha Vallejo 23.6.20
Mark Neville 4.3.20
Martin Parr 21.4.20
Michelle Borge: Reconsidering documentary
Mohamed Bourouissa 16.5.20
My learning Part 4
MY OTHER BLOGS
Note to the assessors
OCA STUDENT LED
OCA Tutor led
Panel discussion with myself n the panel
PART 1: INTRODUCING DOCUMENTARY
Part 2: THE B&W DOCUMENT
PART 2: THE B&W LEGACY
Part 3: A Colour Vision
PART FIVE: NEW FORUMS FOR DOCUMENTARY
Part four: Ethics and looking at the other
People surveys
Personal project proposal
Peter Dench
PHOTOGRAPHER TALKS
Photography panel discussion 19.5.21
Post Documentary Art
Project Colour and modernity
Project Documentary Identity and Place
PROJECT DOCUMENTARY IN THE GALLERY SPACE
Project Documentary, performance and fictions
PRoject Documents of conflict and suffering
Project Journeys
PROJECT LEGACY FOR SOCIAL CHANGE
PROJECT NARRATIVE
Project people surveys
Project post-colonial ethnography
Project Psychographies
Project the Documentary project
Project: A British tradition
Reading: CReative Photography Behind the Image
Reflecting on the war photograph
REFLECTION
Reflection against assessment criteria
Reflection against assessment criteria
Resaerch point: OCA documentary projects
RESEARCH
Research point Cannon Fodder
Research point Crowd funding
Research point FSA project
Research point Photovoice
Research point Post-colonial ethnography
Research point semantics
Research point Sense of Place
Research point Street photography
Research point Vivian Maier
Research point Worktown
Research point: Murrell & Starkey
Seeing is believing blog post
Socially committed photographers
SUBMISSIONS
Summary of readings
Surrealism and colour photography
Susan Bright Curator Talk
THAMES VALLEY OCA MEETINGS
The ethics of aesthetics
THE PHOTOGRAPHIC BRIEF: SHORT
Uncategorized
What is documentary?
WHAT MAKES A DOCUMENT?
ZOOM OCA MEETINGS

Blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy

Comment
Reblog
Subscribe Subscribed
- Photography 2: Documentary
- Already have a WordPress.com account? Log in now.

%d

Design a site like this with WordPress.com